Antechamber Music 2
by Various Artists
Dan London
Peter Burns
djrawbird
Civil Inattention
Power Sherlock
Stephen Budd
Kohji Matsubayashi
icadoor
pgd
weichezaeune
Joe Sullivan
musashino-usagi
dmikalova
hirugarrenbelarria
belb
Will Bankhead
collapsing_drums
Christopher Bradbury
zarino
reste_narquois
Sean nixon
ceryshogg
ben
irrational_agent
joelcurtismusic
men2960
Chang
E I Radomsky
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift card
£7.99 GBP or more
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Cassette + Digital AlbumDual colour (White/Black), cassette tape
Design by Charlie Newhouse
Includes unlimited streaming of Antechamber Music 2 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysedition of 100Purchasable with gift card£8.99 GBP or more
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Cassette + Digital AlbumLimited edition cassette tape package of Antechamber Music compilation 1 + 2
Antechamber 1 comes in red/transparent glitter tape
Antechamber 2 is dual colour, white/black tape
Bundle includes DL codes for both compilations
Listen to Antechamber Music 1 here:
accidentalrecords.bandcamp.com/album/antechamber-music
Includes unlimited streaming of Antechamber Music 2 via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.ships out within 5 daysedition of 100Purchasable with gift card£14.99 GBP or more
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Anna Phoebe - Echoes
02:44
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Andrew Spackman - Roam
02:16
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about
Examining new work emerging in the crossover between contemporary classical and experimental electronic music, Accidental Records present the second installment in their Antechamber series. Antechamber Music 2 features 13 artists delivering compelling work across a variety of disciplines, as electro-acoustic, organic and synthesized sounds collide and coalesce into startling, original forms.
Anna Phoebe and Cevanne Horrocks-Hopayian offer up some of the richest compositions on the album, turning to stirring orchestration led by strings and following a narrative thread, while Adrián Foulkes similarly weaves an atmospheric story through a more minimal lens.
The piano is the focus for Crewdson and the collaboration of Maria Sappho and Colin Frank as Brutalust, the former reveling in a loping, dusty set of subtly shifting note patterns and the latter moving in nervous, darting flurries between fierce blasts of kitchen sink percussion and white noise.
Colin Alexander and Andrew Spackman present intriguing electro-acoustic string treatments that revel in additional processing, with Spackman presenting a particularly liquefied sound that eventually yields to snarling electronica. Meanwhile Ruby Colley threads musique concrete-style sonic matter underneath her striking string work and yeemeen nosa teases at ASMR pop and crackle mixed with raw synthesis.
There’s space for the human voice too – Lou Barnell’s granular, processed patterns and Tullis Rennie’s seasick synth ecosystem are both embellished with choral voices. Una Lee and a wave, a mouth; go further by centering the voice as their primary sound source, albeit processed in particular, unusual ways.
Anna Phoebe and Cevanne Horrocks-Hopayian offer up some of the richest compositions on the album, turning to stirring orchestration led by strings and following a narrative thread, while Adrián Foulkes similarly weaves an atmospheric story through a more minimal lens.
The piano is the focus for Crewdson and the collaboration of Maria Sappho and Colin Frank as Brutalust, the former reveling in a loping, dusty set of subtly shifting note patterns and the latter moving in nervous, darting flurries between fierce blasts of kitchen sink percussion and white noise.
Colin Alexander and Andrew Spackman present intriguing electro-acoustic string treatments that revel in additional processing, with Spackman presenting a particularly liquefied sound that eventually yields to snarling electronica. Meanwhile Ruby Colley threads musique concrete-style sonic matter underneath her striking string work and yeemeen nosa teases at ASMR pop and crackle mixed with raw synthesis.
There’s space for the human voice too – Lou Barnell’s granular, processed patterns and Tullis Rennie’s seasick synth ecosystem are both embellished with choral voices. Una Lee and a wave, a mouth; go further by centering the voice as their primary sound source, albeit processed in particular, unusual ways.
credits
released October 11, 2022
Credits:
Mastered at The Exchange by Simon Davey
Words by Oliver Warwick
Artwork by Charlie Newhouse
Credits:
Mastered at The Exchange by Simon Davey
Words by Oliver Warwick
Artwork by Charlie Newhouse
license
all rights reserved
tags
about
Accidental Records London
Est. 2000
Sub-labels: Accidental Jnr and Accidental Editions
info@accidental.co
discography
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May 2024 -
Nov 2023 -
Aug 2023 -
May 2023
contact / help
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